Aug 11 2003
Camping
My sister’s little house in the pygmy woods (the soil is too acidic for the redwoods to reach their usual majestic heights, so it’s known as pygmy forest, though pygmy is relative) is far too pygmy itself to accommodate the entire clan. It?s overpopulated as it is, with Megan and her husband; Mom’s hospital bed in the living room, and my other sister Beth sleeping on the couch.
So I’ve been sleeping in a tent in Megan’s garden, like Claudia Salinger in Party of Five, only outside. Sleeping in the tent has made me understand more about silence and darkness. It’s not just the absence of noise and light, but the presence of the silence and the darkness. The silence is so intense you can feel it – it almost presses against the city dweller’s ears, as strong a contrast to the usual city noises as a sudden power outage.
But after a while, you realize that the silence itself is made of many components. The wind in the trees, which almost sounds like the ocean. Distant crickets. Grass rustling. An animal walking through the woods: a cat? A raccoon? A skunk? Maybe even a deer? The mylar ribbons on the flower beds (supposed to deter marauding birds) softly rattling as they turn in the wind. You know how they say, you could hear a pin drop? You can hear a pine needle fall, and you do.
The darkness is as shocking to a city girl’s eyes as the silence is to her ears. There’s no ambient light from a nearby city or town, and no streetlights. So if I’m going to be out at night, I need a flashlight to light the way immediately ahead of me. I am returned to my childhood, when it seemed that any sort of monster or imaginary creature could be hiding in the woods, ready to leap out at me. The shadows in the flashlight’s beam, even my own, grow and move alarmingly and in a very monster-like manner.
But if I look up and away from what’s right in front of me, I see something beautiful: countless silvery stars against the blackness of the sky. Light in darkness. Hope.